The nature has cretaed, using stones and water through million years of metamorphosis, infinite shapes that has inspired the man.
The strong link between the oriental culture and the surrounding world, far stronger than in the western culture, made possible that the productions of the nature took part in religious and philosophical thoughts development, defining them as an artistic expression.
The art of Suiseki express significantly this relationship between man na dnature, both for the evocative power to represent the surrounding world and for the ability in refining the observation skill of the man.
Tha human intervention should not be intended toward changing the structure of the stone but it should be limited to make the most of it with a correct maintenance and exhibition. The journey of Suiseki toward the West is relatively recent and found in Italy a land of great opportunities both for the quality and quantity of materials and shapes.
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